Skip to main content

Posts

Genocide and Crimes Against Humanity: The Bosnian War (1992-1995)

(Haviv, R. (1992), ‘Bosnia’) “It can take time for even the most shocking images to have an effect, The war in Bosnia had not yet begun when American Ron Haviv took this picture of a Serb kicking a Muslim woman who had been shot by Serb forces… [by the end of the conflict] almost 100,000 people lost their lives. Before his assassination in 2000, Arkan was indicted for crimes against humanity. Haviv’s image was used as evidence against him and other perpetrators of what became known as ethnic cleansing” (Haviv R., 1992 ‘Bosnia’) The image of a shot Muslim woman being kicked in the head is abrasive and horrifying. It shows a very small but important part of the Bosnian conflict and in essence, demonstrates the violation of Human Rights that occurred throughout the dismantlement of Yugoslavia. Not only were the Bosnian Serbs and the war itself in direct violation of the United Nations’ Univers
Recent posts

Call Me By Your Name - A literary review

Zwischen Immer und Nie. Between Always and Never. A concept that stems from the neverending summer in which a moment of time is held in infinity but also nothing. Within ‘Call me by your name’ the notion relates to a relationship that stemmed from emotion expressed through silence and understated behaviour.  The two main characters that the novel is centred around are Elio and Oliver. Elio is the 17-year old, trilingual, musical genius, son of an Italian philosophy professor and Oliver is characterised as the 24-year old, American graduate who is spending the summer in Italy under the supervision of Elio’s father whilst working on his manuscript for his studies.  Andre Aciman captures the essence of summer ‘somewhere in Northern Italy’ in 1983, in which the scenery of Monet’s Berm encapsulates a moment of everything, every emotion, every unsaid thought between the characters of Elio and Oliver, and suspends it in a bubble of happiness, sensuality, and summertime.  How

Is The Taming of the Shrew still relevant?

The Taming of the Shrew: Is it still relevant in Modern Society or are we all just delusional? Controversy sparks legacy. The Taming of the Shrew is controversial within many groups of society. Some feminists use excerpts from the text as evidence of female oppression, domestic abuse, power struggles within Shakespeare's time. From a feminist perspective, the character development of Katherine portrays the conformity needed to survive in the Shakespearean era. Additionally, the play uses satirical elements to transform what could be interpreted as a tragedy into the social commentary as it is typically interpreted. The Taming of the Shrew is still relevant today through the constant reproduction, and in turn interpretation, of the elements, themes and concepts that surround the controversy that is Shakespeare and his work. It is obvious from the first reading of The Taming of the Shrew that the societal norms of the Shakespearean era drastically contrast to modern-day. The

Australian Copyright Law - The Balancing Act: Innovation vs Intellectual Property Rights

Matt Furie v. Infowars, LLC et al. Australian Copyright Law and the balancing act; Innovation versus Intellectual Property Rights ‘Fair use’ within the Australian Legislation is not reciprocal to the US Legislation. Within the Australian Copyright Act (1968) fair dealings by definition mean “using the material in any of the ways reserved to the copyright owner” (ACC INFORMATION SHEET G079v08 December 2017) and not “the legal doctrine that promotes freedom of expression by permitting the unlicensed use of copyright-protected works in certain circumstances” as expressed in US fair use copyright law (copyright.gov July 2018). There is a substantial difference between the US and Australian legislation and thus affects the outcome of copyright cases like the Matt Furie v. Infowars, LLC et al case. In achieving harmony between the two separate parties the court must facilitate innovation and intellectual property right, although not obstructed by th